La danza nel buddhismo antico

  • Antonella Serena Comba University of Turin
Keywords: Buddhismo, danza, Pali

Abstract

The article analyses the status of dance in the Pāli Canon. At a first sight, it seems that dancing, watching dancers’ performances and their organization were not approved by the Buddha; but the comparison between some canonical Pāli passages shows that this apparently negative evaluation was motivated by the expectations of the Indian people towards ascetics, rather than an absolute refusal of this art on its own.

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Author Biography

Antonella Serena Comba, University of Turin
Antonella Serena Comba is Tenured Researcher of Indology and Tibetology at the University of Turin since 2006. She translated from the pāli language the Visuddhimagga by Buddhaghosa (Raleigh: Lulu, 2008-2010).

References

Fonti primarie:

Chaṭṭha Saṅgāyana Tipiṭaka. Version 4.0.0.15. 1995. Igatpuri: Vipassana Research Institute.

Fonti secondarie:

Brahmavamso, Ajahn. “The Time and Place for Eating.”

http://www.urbandharma.org/udharma3/eating.html, ultima consultazione 25/05/2015, ore 11:44.

Comba, Antonella Serena. 2016. Therīgāthā. Canti spirituali delle monache buddhiste. Raleigh: Lulu.

Cone, Margaret. 2010. A Dictionary of Pali. Vol. II. Bristol: Pali Text Society.

Talamo, Vincenzo. 2012. Canone buddhista. I testi della disciplina monastica. Traduzione del Vinaya-piṭaka. Edito, con una prefazione, da Antonella Serena Comba. Vol. I. Raleigh: Lulu.

Walshe, Maurice. 19962 (19871). The Long Discourses of the Buddha. A Translation of the Dīgha Nikāya, translated from the pāli. Boston: Wisdom.

Published
2019-10-15